There’s the hunt, yes, courtesy this time of a Latino Terminator in the hands of Austin native Gabriel Luna. Beat by beat, Dark Fate is a quintessential Terminator film. This lends the movies a propulsive narrative engine: every action sequence is a chase or a standoff, and sometimes both at the same time. In the case of Terminator: Dark Fate, which retcons the many sequels since 1991’s Terminator 2: Judgement Day, the hunt is for Dani Ramos (Natalia Reyes). Yes, white women still anchor this movie, but the more interesting story is emphasizing how Dani and the new Terminator are playing out a grander game for supremacy that’s more compelling than anything the white characters can conjure up.Įvery Terminator film is, in essence, a hunt. agent thinks its better than “prisoner”) is a pointed call to arms. The references to Border Patrol, border crossings, detention centers, even the use of the word “detainee” (which plays like a laugh line because of how the U.S. I worried that the movie would utilize Mexico’s issues as an attempt to be woke or in the know, and there are certainly valid criticisms. He plays the character as knowing he’s not human and only have the barest notion of passing. Gabriel Luna’s new take on the Terminator is interesting in that he doesn’t imitate or draw upon the previous iterations. The script certainly wants us to see the future is female, but it also wants to remind us that the future is made of minorities. She doesn’t want to be used as any type of chip, a pawn in anyone’s game. This new fate is meant to give her a purpose, but she resists. She works with her brother in a factory and wants a better life, but that requires putting up with what they’re given. Natalia Reyes’ Dani Ramos is cut from the Sarah Connor cloth to the point that Hamilton has to say “I was her.” The distinction lies in Dani’s unspoken history. But he simultaneously injects the franchise with new blood, anchored by characters of color. Dare I call it excitement? Director Tim Miller does something wonderful with Dark Fate in that he caters to fans who have followed the series since 1984 with the return of Sarah Connor herself (Linda Hamilton) and Arnold Schwarzenegger’s robot with a heart of gold. But when the trailers started dropping for Terminator: Dark Fate I felt something bubbling up. Terminator: Dark Fate opens in theaters on November 1, 2019.įor the last decade I vowed I would never get excited about a Terminator movie again. And since most media outlets don’t employ Latino critics, we gave them the chance to opine on the action-packed movie. With this change in setting, it’s vital that Latinos join the conversation about the movie. (Hats off to the writers for not making the new Mexican-American Terminator utter Arnold Schwarzenegger’s classic line: “Hasta la vista, baby.”) Terminator: Dark Fate takes the action to Mexico City and gives us not only a Latin American heroine, but a Latino villain in the form of Gabriel Luna’s performance as a shape-shifting android. The master filmmaker disliked those sequels so much he stepped in to produce a new Terminator movie that rewrites the storyline and ignores those prior versions he wasn’t involved with. The classic sci-fi Terminator franchise has several installments with some of them made after James Cameron’s exit from the director’s chair.
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